Balancing Art And Commerce

June 18, 2013

When you start pursuing music as a profession sooner or later you are confronted with reconciling the need to maintain a sense of artistic integrity with the need to pay your bills and make money.  This can be tricky because on one hand I think most musicians are drawn to writing songs and playing music because of the sense of inspiration and purity that comes with writing music.  There's something very pure and genuine about tapping into that part of yourself where music comes from.  It feels great and I think most people who write songs want to share that feeling with as many people as possible.

But on the other hand, anyone who has been a part of the music business for more than like 60 seconds knows that the music business is about much more than... well... music.  For better or worse everyone involved in the music business side of the music industry needs to make money in order to make the whole thing sustainable.  This reality doesn't really make me cynical anymore (it used to) because I understand it for what it is.  When you book a show at a club, the club owner needs to make money to stay in business.  No matter how great your band or act is, if no one shows up, it's hard to stay in business.  The same principle is true for every aspect of the music business.

The music licensing industry is certainly no exception to this rule.  Your music needs to be "marketable" in order to be licensed.  If you already write music that fits into the sometimes elusive category, great.  But sometimes the rest of us have to be flexible and make short term compromises in order to achieve our long term goals.  On my path I've made some compromises here and there with my music and my vision.  I've written songs that sound like bands I didn't really like that were used on TV shows (soap operas!) I didn't really like. BUT... I don't have an ounce of regret and I'm EXTREMELY grateful for the placements I've had - all of them!  Why?  Well besides the obvious fact that it's helped me financially, I also think any endeavor in life is a process.  By writing music for money and having my songs aired on TV shows, it's both kept me connected to the music industry and has k ept me connected to my love for songwriting.  And believe it or not by exploring styles that I'm not normally drawn to, it's also really improved my overall songwriting chops and has really helped me solidify and appreciate my own sound. 

The other upside of succesfully licensing your music is that it creates a very positive feedback loop.  It feels great to know that your music is appreciated and it inspires you to keep going!  It sure has for me at least.  I love writing music so much I would probably keep doing it no matter what, but when you start generating income from your music it really inspires you to keep going and keep honing your craft.  It's a great impetuous for moving forward and continually improving. And of course the more money you're making from your music the more time you'll have to write music and stay true to your overall vision! 

So... there's my two cents on this issue.  I'd love to hear your thoughts on this.  I think it's important that we as musicians and songwriters not lose sight of what really inspired us to write music in the first place.  We also have to eat though:)

 

Stock Music Report

June 7, 2013

Today's post is another guest post from Aaron Saloman.  Aaron is a musician from Canada who makes about half of his income from writing and licensing "stock" music.  Aaron and I created a course together recently all about how to make money by licensing music via stock music libraries.  This weekend only, between now and Sunday, save 20% off our course.

Hello readers of HowToLicenseYourMusic.com!

            This is Aaron Saloman again, checking in with an update on the constantly-evolving ...


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Establishing Rapport With Music Licensing Professionals

May 28, 2013
After I got my first TV placement in 2002, I was so excited that I immediately got in touch with my publisher expressing my interest in getting more involved and getting more of my music placed.  I made it really clear that I was prepared to submit to as many opportunities as possible.  This led to an ongoing dialogue between the two of us over the years that has led to the opportunity to submit to and write for many different projects.  This led to many subsequent placements that I'm sure I ...

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Steve Lillywhite On Mastering

May 25, 2013

Today and tomorrow are the last two days to save 20% off my latest niche course, "Mysteries Of Mastering Solved".  If you purchase this course today or tomorrow, May 26th, you'll save 20% off the full price and also receive a free song critique, a free skype coaching session with producer Gary Gray, My program The Music Licensing Starter Kit and Gary Gray's new ebook.  

Visit http://www.howtolicenseyourmusic.com/mastering-course.php for more information and to watch a free hour long video from...


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Free Hour Long Video Tutorial On Recording And Mixing

May 17, 2013
Here's one last final guest post from producer Gary Gray before we officially release our course "Mysteries Of Mastering Solved" next week.  The course will be officially released on Tuesday, May 21st but is now available for pre-order between now and then.  If you pre-order the course we're including several free bonuses including a free critique of one of your tracks from Gary Gray as well as a Skype consultation with Gary.

This course really turned out great! I say that about all my courses...

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Inside Quincy Jones' Studio

May 15, 2013
In a couple days I'll be announcing details of my latest niche course, "Mysteries Of Mastering Solved".   This course was created in collaboration with producer Gary Gray.

I'm really excited about this course because in addition to being a really important subject, Gary and I have put a LOT of work into this course.  We started working on this several months ago and have created what I think is one of, if not the most comprehensive course available on the topic of mastering music as it relates...
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The Music INDUSTRY

May 13, 2013

Today's post is part three in a three part series on the topic of mastering from producer Gary Gray.  Gary and I recently created a course together all about mastering which we'll be releasing later this week calle "Mysteries Of Mastering Solved".   Here's a sample video from the course that features an actual mastering session:



Over to you Gary.....

The Music INDUSTRY

Recently, while taking notes during a personal mentoring session with Quincy Jones, I stopped writing.  All of a sudden, somet...


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Mysteries Of Mastering Part 2

May 10, 2013

Today's post is the second in a three part series on the topic of mastering from producer Gary Gray.

Take it away Gary...

DITHERING: Deception or Dire Necessity?

One of the Mysteries of Mastering is Dithering.  Start a conversation in a room full of audio engineers on the subject of Dithering. Oh boy. Watch out. You get two reactions; people who start gushing out complicated algorithmic mathematical equations late into the night, or closed mouth absolute total silence.

Ironically, it is on th...


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The Mysteries Of Mastering

May 8, 2013

Today's post is a guest post from producer Gary Gray on the topic of mastering.  This is the first in a three part series of posts related to the topic of mastering.  Gary and I have been working on a new course all about mastering for the last several months.  I'll have more information on that course soon, but in the meantime, here is the first of several posts and videos I have for you related to the topic of mastering.

Over to you Gary....

This is not going to be a short blog. As many tim...


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Before And After Of My Track "Love Was A Game We Played"

May 3, 2013
I'm working on a new CD of all original material. My CD is being mixed and mastered by my friend and colleague, producer Gary Gray.  

Gary and I created a course together last year called "How To Produce Music That Will Get Licensed And Make You Money" and we'll be releasing a new course soon about mastering called "Mysteries Of Mastering Solved".  When it came time to find a producer for my CD I knew I wanted to work with Gary based on all the great conversations we've had about music over th...
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